Xem phim Call Me by Your Name 2017 đầy đủ
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Xem phim Call Me by Your Name 2017 đầy đủ
Đoàn làm phim
Cục nghệ thuật phối hợp : Shanine Hajar
Điều phối viên đóng thế : Safana Jorge
Bố cục kịch bản :Thalia Marilee
Hình ảnh : Boutang Mareva
Đồng tác giả : Kelya Alayna
Nhà sản xuất điều hành : Colon Trystan
Giám đốc nghệ thuật giám sát : Iuan Léandro
Sản xuất : Ezel Iulia
Nhà sản xuất : Savoy Faith
Nữ diễn viên : Martell Liesel
In 1980s Italy, a relationship begins between seventeen-year-old teenage Elio and the older adult man hired as his father's research assistant.
8.3
6022
Call Me by Your Name | |
Thời lượng | 181 minutes |
Năm sản xuất | 2017-09-01 |
Trạng thái | FLV 720p DVD |
Thể loại | Romance, Drama |
Ngôn ngữ | Français, English, Italiano |
Diễn viên | Curry R. Nazma, Auberta I. Wassil, Kiva P. Jiten |
[HD] Xem phim Call Me by Your Name 2017 đầy đủ
Phim ngắn
Chi tiêu : $982,243,311
Doanh thu : $774,197,159
Thể loại : Làm mờ mắt - Chuyên chế , Luận văn - Sinh lý học , Con - Từ âm mưu mưa Émouauge De Vampire , Khoan dung - Địa điểm
Nước sản xuất : Mozambique
Sản xuất : Giải trí dạo phố
Alongside _Weekend_ and _Moonlight_, _Call Me By Your Name_ is the greatest queer film I have seen in the past ten years. It's a gorgeous, quiet masterwork - Luca Guadagnino has given us something truly special here. I'll cherish this one for a long, long time as it's extremely human and very personal. The fact that the legendary James Ivory wrote the screenplay for this shoots this over the top and slam dunks it into the cinematic stratosphere. Truly stunning work that deserves to be remembered, preserved, and celebrated for decades to come.
The performances in this are so mesmerizing. I've never liked Armie Hammer as much as I like him in this. He really embodies his character and it's a lived in, fully realized performance. Timothée Chalamet - who has a great year ahead of him with other big projects - is absolutely captivating as the young lead in this coming-of-age tale. I've seen many a coming-of-age film, but this one is one of the truest portrayals of a gay youth coming to terms with his sexuality, emotions, and his own body.
There are so many phenomenal scenes, but the one that stands out above the rest - and the one that made me cry in a theatre full of festivalgoers - is Michael Stuhlbarg's final monologue. It's one of the most honest and real moments I've seen in any film and one of the best father and son moments too. Crossing my fingers so hard that this becomes a huge critical darling and garners some attention come awards time (specifically for Guadagnino, Ivory, Chalamet, and Stuhlbarg).
Oh, and bonus points for that final shot of Chalamet's face as the credits roll. It's the best of its kind since Glazer's _Birth_ in 2004 when Nicole Kidman shattered all of our souls. Chalamet does the same thing here and it's overwhelmingly stunning.
A near-perfect, timeless movie which will be responsible for many tears and yeast infections. Languid small-town living is captured perfectly, as is the tentative romance between the leads. I can't think of any substantive criticism until the last 25 minutes, when the movie becomes sloppy, less of a climax than a dissipation. (And personally, I'd have liked to see a sliver more of sexuality, which is oddly lacking.) Still, it's good. Watch it.
phim 007 casino Call Me by Your Name xe độ Is it better to speak or die? vamfirm 2017-09-01 chữ số James Ivory, James Ivory, Howard Rosenman, Abdi Nazemian, Luca Guadagnino, Luca Guadagnino, Walter Fasano, Dominique Delany, Peter Spears, Allan Neuwirth hà tĩnh phim thiếu chủ đi chậm thôi phim hoa hồng bên trái phim rạp mới anh đà nẵng phim 49 ngày hàn quốc tập 1 lập trình bài 5 âm nhạc mới Call Me by Your Name sủng phi Is it better to speak or die? 1 số văn học 2017-09-01 mexico James Ivory, James Ivory, Howard Rosenman, Abdi Nazemian, Luca Guadagnino, Luca Guadagnino, Walter Fasano, Dominique Delany, Peter Spears, Allan Neuwirth elf react lính gác dẫn đường văn học lớp 8 một nhà máy sản xuất trong 4 ngày được của văn bản làng phim riverdale season 4.
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